<feed version="0.3" xmlns="http://purl.org/atom/ns#" xmlns:dc="http://purl.org/dc/elements/1.1/" xml:lang="en">

<title>Against Monopoly</title><link rel="alternate" type="text/html" href="http://www.againstmonopoly.org/"/>
<tagline>Against Monopoly</tagline>
<modified>2010-03-06T16:16:24-08:00</modified>
<id>tag:www.againstmonopoly.org,2010:/</id>
<generator url="http://www.againstmonopoly.org/">www.dklevine.com</generator>
<copyright>Copyright (c) 2010, The Authors</copyright>
<entry>
<title>Copyright: Questions and Challenges For Defenders of the Current Copyright Regime</title>
<link rel="alternate" type="text/html" href="http://www.againstmonopoly.org/index.php?perm=593056000000002658"/>
<modified>2010-03-06T16:12:10-08:00</modified>
<issued>2010-03-06T16:12:10-08:00</issued>
<id>tag:www.againstmonopoly.org,2010:blog5593056000000002658</id>
<created>2010-03-06T16:12:10-08:00</created>
<summary type="text/plain">Take a look at some the %26lt;a href="http://www.buzzfeed.com/mathieus/what-would-a-childs-drawing-look-like-if-it-8q4/"%26gt;great works%26lt;/a%26gt; of Dave Devries from his %26lt;a href="http://themonsterengine.com/"%26gt;"Monster Engine" project%26lt;/a%26gt;.


Given the fact that:
%26lt;blockquote%26gt;
1. There is no doubt that the children's original doodles are protected by copyright for their entire life, plus 70 additional years.


2. There is no doubt that Devries' paintings of the doodles are 'derivative works' stemming from the original creations of the children.%26lt;/blockquote%26gt;


Do you believe that Devries should be forced to get formal copyright releases from each and every one of the kids in question? Do you think he has done so?
If so, should they be able to repudiate their copyright agreement when they turn 18 since many jurisdictions allow minors to repudiate contracts signed before they reach 18? If so, should they be able to take Devries's work out of circulation?  


Do you think that the children should all share in the royalties from books, art and showcases that Devries produces for the rest of their lives (and beyond - for 7 decades)? Do you think that is in fact the case of what is going on? If Devries hasn't gotten a copyright release and/or isn't paying royalties, do you feel that he is somehow "exploiting" these kids or "stealing" from them?


If you answered 'No' to any of these questions, why not? Given how we know copyright law operates with respect to works created by media corporations, shouldn't it apply similarly here? Or is copyright law only supposed to be for the "benefit" of authors when they are attached to big businesses backed by the legal system? 


After all, some commenters on this site have argued that one should not be able to make an entirely new James Bond film without permission due to copyright restrictions. I presume that The Monster Engine should be forced to jump through the same legal hoops, no? 


I can't help but suspect that there is some major hypocrisy at work here in how copyright law is selectively applied in order to benefit special interests at the expensive of incentives for maximizing the creation and distribution of new works. (And please spare me the 'fair use' argument. I would completely agree that this should be considered fair use. But if it is, then one must concede that fair use should be applied by the courts far more generously that it currently is - so much so that it would effectively altogether omit the copyright protections which currently prevent the creations of 'derivative works'.)








</summary><author>
 <name>Justin Levine</name>
 <url>http://www.againstmonopoly.org/</url>
 <email>Levine2001@aol.com</email>
 </author><dc:subject>Copyright</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.againstmonopoly.org/"><![CDATA[
Take a look at some the <a href="http://www.buzzfeed.com/mathieus/what-would-a-childs-drawing-look-like-if-it-8q4/">great works</a> of Dave Devries from his <a href="http://themonsterengine.com/">"Monster Engine" project</a>.

<p/>Given the fact that:
<blockquote>
1. There is no doubt that the children's original doodles are protected by copyright for their entire life, plus 70 additional years.

<p/>2. There is no doubt that Devries' paintings of the doodles are 'derivative works' stemming from the original creations of the children.</blockquote>

<p/>Do you believe that Devries should be forced to get formal copyright releases from each and every one of the kids in question? Do you think he has done so?
If so, should they be able to repudiate their copyright agreement when they turn 18 since many jurisdictions allow minors to repudiate contracts signed before they reach 18? If so, should they be able to take Devries's work out of circulation?  

<p/>Do you think that the children should all share in the royalties from books, art and showcases that Devries produces for the rest of their lives (and beyond - for 7 decades)? Do you think that is in fact the case of what is going on? If Devries hasn't gotten a copyright release and/or isn't paying royalties, do you feel that he is somehow "exploiting" these kids or "stealing" from them?

<p/>If you answered 'No' to any of these questions, why not? Given how we know copyright law operates with respect to works created by media corporations, shouldn't it apply similarly here? Or is copyright law only supposed to be for the "benefit" of authors when they are attached to big businesses backed by the legal system? 

<p/>After all, some commenters on this site have argued that one should not be able to make an entirely new James Bond film without permission due to copyright restrictions. I presume that The Monster Engine should be forced to jump through the same legal hoops, no? 

<p/>I can't help but suspect that there is some major hypocrisy at work here in how copyright law is selectively applied in order to benefit special interests at the expensive of incentives for maximizing the creation and distribution of new works. (And please spare me the 'fair use' argument. I would completely agree that this should be considered fair use. But if it is, then one must concede that fair use should be applied by the courts far more generously that it currently is - so much so that it would effectively altogether omit the copyright protections which currently prevent the creations of 'derivative works'.)

<p/>

<p/>

<p/>
]]></content>
</entry>

<entry>
<title>Innovation: Technology and the broken patent system [Apple v. HTC]</title>
<link rel="alternate" type="text/html" href="http://www.againstmonopoly.org/index.php?perm=593056000000002657"/>
<modified>2010-03-05T20:24:47-08:00</modified>
<issued>2010-03-05T20:24:47-08:00</issued>
<id>tag:www.againstmonopoly.org,2010:blog5593056000000002657</id>
<created>2010-03-05T20:24:47-08:00</created>
<summary type="text/plain">Farhad Manjoo over at Slate has a %26lt;a href="http://www.slate.com/id/2246902/"%26gt;great article%26lt;/a%26gt; on the issue.


A sample of it:


%26lt;blockquote%26gt;With this lawsuit, Apple is standing in the way of [the] future.


It's a dangerous strategy. Patent lawsuits take years to wind through the courts, but when this one is finished, no good will have come from it. Apple's move is terrible for consumers and businesses that rely on smartphones, it's bad for mobile-software developers, and it's obviously not great for Apple's competitors. The suit can't do much to help Apple, either, especially if it sparks an industrywide patent war. Apple's competitors also hold a wide portfolio of mobile-device patents, and I'm sure that they all have their legal departments working overtime to search for any claims that the iPhone and iPad might be violating. Apple's move thus casts a cloud of uncertainty over the entire industry: Should you buy an Android phone or build apps for the Palm OS if a judge might one day declare those systems illegal?%26lt;/blockquote%26gt;


Read the whole thing here:


%26lt;a href="http://www.slate.com/id/2246902/"%26gt;http://www.slate.com/id/2246902/%26lt;/a%26gt;</summary><author>
 <name>Justin Levine</name>
 <url>http://www.againstmonopoly.org/</url>
 <email>Levine2001@aol.com</email>
 </author><dc:subject>Innovation</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.againstmonopoly.org/"><![CDATA[
Farhad Manjoo over at Slate has a <a href="http://www.slate.com/id/2246902/">great article</a> on the issue.

<p/>A sample of it:

<p/><blockquote>With this lawsuit, Apple is standing in the way of [the] future.
<p/>
It's a dangerous strategy. Patent lawsuits take years to wind through the courts, but when this one is finished, no good will have come from it. Apple's move is terrible for consumers and businesses that rely on smartphones, it's bad for mobile-software developers, and it's obviously not great for Apple's competitors. The suit can't do much to help Apple, either, especially if it sparks an industrywide patent war. Apple's competitors also hold a wide portfolio of mobile-device patents, and I'm sure that they all have their legal departments working overtime to search for any claims that the iPhone and iPad might be violating. Apple's move thus casts a cloud of uncertainty over the entire industry: Should you buy an Android phone or build apps for the Palm OS if a judge might one day declare those systems illegal?</blockquote>

<p/>Read the whole thing here:

<p/><a href="http://www.slate.com/id/2246902/">http://www.slate.com/id/2246902/</a>
]]></content>
</entry>

<entry>
<title>Patents (General): Let's not argue about gene patents--lets fix them</title>
<link rel="alternate" type="text/html" href="http://www.againstmonopoly.org/index.php?perm=593056000000002654"/>
<modified>2010-03-02T09:57:43-08:00</modified>
<issued>2010-03-02T09:57:43-08:00</issued>
<id>tag:www.againstmonopoly.org,2010:blog5593056000000002654</id>
<created>2010-03-02T09:57:43-08:00</created>
<summary type="text/plain">Writing in the Washington Post, Kari Lydersen has a short and quite good summary on the pros and cons of gene patents %26lt;a href="
http://www.washingtonpost.com/wp-dyn/content/article/2010/03/01/AR2010030102925_pf.html"%26gt;link here%26lt;/a%26gt;. In the  case under examination, a woman thinks she might have a gene that predisposes her to breast and ovarian cancer in which case she can decide on preemptive surgery. But, she can't afford the expensive test and it is not covered by her state's Medicaid (other states' Medicaid programs do cover the test). Her story ends up well enough--for her, but probably not for many people.



The article covers the pros and cons of gene patents and the dilemma they present. It doesn't, however, discuss how the applicable patent system might be modified, for example, by having the government pay for the research and development, probably through contracting with the private sector, and then making the test widely available at an affordable price. 



This story does make the point, though by inference, that we have a busted health care system as well of a dysfunctional patent system which violates our generally accepted sense of what is right.</summary><author>
 <name>John Bennett</name>
 <url>http://www.againstmonopoly.org/</url>
 <email>nobody@nowhere.com</email>
 </author><dc:subject>Patents (General)</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.againstmonopoly.org/"><![CDATA[
Writing in the Washington Post, Kari Lydersen has a short and quite good summary on the pros and cons of gene patents <a href="
http://www.washingtonpost.com/wp-dyn/content/article/2010/03/01/AR2010030102925_pf.html">link here</a>. In the  case under examination, a woman thinks she might have a gene that predisposes her to breast and ovarian cancer in which case she can decide on preemptive surgery. But, she can't afford the expensive test and it is not covered by her state's Medicaid (other states' Medicaid programs do cover the test). Her story ends up well enough--for her, but probably not for many people.

<p/>
The article covers the pros and cons of gene patents and the dilemma they present. It doesn't, however, discuss how the applicable patent system might be modified, for example, by having the government pay for the research and development, probably through contracting with the private sector, and then making the test widely available at an affordable price. 

<p/>
This story does make the point, though by inference, that we have a busted health care system as well of a dysfunctional patent system which violates our generally accepted sense of what is right.
]]></content>
</entry>

<entry>
<title>Against IM: IP and Guard Labor</title>
<link rel="alternate" type="text/html" href="http://www.againstmonopoly.org/index.php?perm=593056000000002649"/>
<modified>2010-03-01T15:30:59-08:00</modified>
<issued>2010-03-01T15:30:59-08:00</issued>
<id>tag:www.againstmonopoly.org,2010:blog5593056000000002649</id>
<created>2010-03-01T15:30:59-08:00</created>
<summary type="text/plain">A very well done and insightful review of AIM.


Pointing out some connections between our work and that of Mr. Adam Smith, which we had somewhat missed.


On %26lt;a href="http://rajivsethi.blogspot.com/2010/02/on-intellectual-property-and-guard.html"%26gt;Rajiv Sethi's blog.%26lt;/a%26gt;</summary><author>
 <name>Michele Boldrin</name>
 <url>http://www.againstmonopoly.org/</url>
 <email>micheleboldrin@gmail.com</email>
 </author><dc:subject>Against IM</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.againstmonopoly.org/"><![CDATA[
A very well done and insightful review of AIM.

<p/>Pointing out some connections between our work and that of Mr. Adam Smith, which we had somewhat missed.

<p/>On <a href="http://rajivsethi.blogspot.com/2010/02/on-intellectual-property-and-guard.html">Rajiv Sethi's blog.</a>
]]></content>
</entry>

<entry>
<title>Copyright: Dancing on the Head of the Fair Use Pin</title>
<link rel="alternate" type="text/html" href="http://www.againstmonopoly.org/index.php?perm=593056000000002647"/>
<modified>2010-03-01T13:46:45-08:00</modified>
<issued>2010-03-01T13:46:45-08:00</issued>
<id>tag:www.againstmonopoly.org,2010:blog5593056000000002647</id>
<created>2010-03-01T13:46:45-08:00</created>
<summary type="text/plain">%26lt;a href="http://www.stephankinsella.com/wp-content/uploads/2010/03/korean-memorial-day.png"%26gt;%26lt;img class="size-medium wp-image-4795" title="Korean War Memorial during day" src="http://www.stephankinsella.com/wp-content/uploads/2010/03/korean-memorial-day-300x207.png" alt="Korean War Memorial during day" width="300" height="207" align="right"%26gt;%26lt;/a%26gt;As noted in Justin Levine's post, %26lt;a href="http://www.againstmonopoly.org/index.php?perm=593056000000002633"%26gt;Dissent of the Day%26lt;/a%26gt;, a recent decision of the Court of Appeals for the Federal Circuit holds "that a U.S. stamp which depicts a view of a public Korean War memorial violates the copyright of the sculptor who designed it." The case involved the sculptures made by Gaylord, a photograph of them made by John Alli (a "derivative work"), and a stamp made using Alli's photograph. Alli and the USPS did not get Gaylord's permission. Gaylord sued for copyright infringement.


The lower court had made three determinations:


1. "Mr. Gaylord was the sole author of the soldier sculptures" (the government was not a joint author);


%26lt;a href="http://www.stephankinsella.com/wp-content/uploads/2010/03/korean-memorial-snow.png"%26gt;%26lt;img class="size-medium wp-image-4796" title="korean memorial-snow" src="http://www.stephankinsella.com/wp-content/uploads/2010/03/korean-memorial-snow-300x232.png" alt="Korean War Memorial during snow" width="300" height="232" align="left"%26gt;%26lt;/a%26gt;


2. "his sculptures were not exempt from copyright protection  under the Architectural Works Copyright Protection Act (AWCPA)", and


3.  "the stamp made fair use of Mr. Gaylord's work."


Thus, although points 1 and 2 went Gaylord's way, the USPS still won in the lower court since it had the fair use defense.


On appeal, the CAFC upheld the lower court's rulings on points 1 and 2, and  reversed on 3: they said the stamp was not a fair use. Now I can't say I am  outraged at an agency of the federal government  being hampered by  federal copyright law. And I am not especially interested in whether the  CAFC and lower court were right regarding the first two points (though  Judge Pauline Newman, in dissent, was none too happy about it). And while I think the CAFC's holding on fair use seems defensible based on the language of the %26lt;a href="http://www.copyright.gov/fls/fl102.html"%26gt;fair use%26lt;/a%26gt; statute, it's  instructive to read  the court's reasoning on the "fair use" claim, to get an idea of how obviously artificial and unlibertarian copyright law is. (I've written on "Fair Use" before: see %26lt;a title="Permalink to  "World's Fair Use Day"" href="http://blog.mises.org/archives/011390.asp"%26gt;World's Fair Use Day%26lt;/a%26gt;; %26lt;a title="Permalink to  "IP: The Objectivists Strike Back!"" href="http://blog.mises.org/archives/011327.asp"%26gt;IP: The Objectivists  Strike Back!%26lt;/a%26gt;.)


To decide whether an unauthorized use of a copyrighted work is permissible as a "fair use," the court has to consider four "factors":
%26lt;ol%26gt;
	%26lt;li%26gt;The purpose and character of the use, including whether such  use is of commercial nature or is for nonprofit educational purposes%26lt;/li%26gt;
	%26lt;li%26gt;The nature of the copyrighted work%26lt;/li%26gt;
	%26lt;li%26gt;The amount and substantiality of the portion used in relation  to the copyrighted work as a whole%26lt;/li%26gt;
	%26lt;li%26gt;The effect of the use upon the potential market for, or value  of, the copyrighted work.%26lt;/li%26gt;
%26lt;/ol%26gt;


%26lt;a href="http://www.stephankinsella.com/wp-content/uploads/2010/03/korean-memorial-stamp.png"%26gt;%26lt;img class="size-medium wp-image-4794" title="korean memorial stamp" src="http://www.stephankinsella.com/wp-content/uploads/2010/03/korean-memorial-stamp-300x190.png" alt="Korean War Memorial stamp" width="300" height="190" align="right"%26gt;%26lt;/a%26gt;Now, it is quite obvious that this is purely artificial law,  motivated by unprincipled, utilitarian considerations, and that these  factors are completely unobjective, vague, and have nothing to do with  justice or rights. Consider how the CAFC "applied" these factors (and  ended up with a result opposite to the lower court). First, the court informs us, "Fair use is a  mixed question of law and fact." and "Because 'the doctrine is an  equitable rule of reason, no generally applicable definition is  possible, and each case raising the question must be decided on its own  facts.'" Ah. Well that sounds like objective law to me. So, the court has to review the 4 "factors," and "Each factor is 'to be explored, and the results weighed together, in light of the purposes of copyright.'" Weighed together? Interpersonal utility value comparison FAIL. The court then tries to apply each of the 4 factors to the stamp to determine whether it was fair use. The court notes that the first factor can turn on whether the derivative work is "transformative": "whether the new work merely ‘supersede[s] the objects' of the original creation or instead adds something new, with a further purpose or different character, altering the first with new expression, meaning, or message; it asks, in other words, whether and to what extent the new work is ‘transformative.'" More objective law with precise boundaries! The lower court held that the stamp was transformative:


%26lt;blockquote%26gt;


The court determined that "while both the Stamp and ‘The Column' are intended to honor veterans of the Korean War, the Stamp is transformative, providing a different expressive character than ‘The Column.'" ... It explained that Mr. Alli transformed the three-dimensional sculpture with his photograph by "creating a surrealistic environment with snow and subdued lighting where the viewer is left unsure whether he is viewing a photograph of statues or actual human beings." ... The court determined that the Postal Service further transformed The Column by "making it even grayer, creating a nearly monochromatic image. This adjustment enhanced the surrealistic expression ultimately seen in the Stamp by making it colder." ... The Court of Federal Claims concluded that the stamp was "a transformative work, having a new and different character and expression than Mr. Gaylord's ‘The Column.'"


%26lt;/blockquote%26gt;


But no, the CAFC disagrees:


%26lt;blockquote%26gt;


As a preliminary matter, we note that the inquiry must focus on the purpose and character of the stamp, rather than that of Mr. Alli's photograph. The stamp does not reflect any "further purpose" than The Column. ... As the Court of Federal Claims found, both the stamp and The Column share a common purpose: to honor veterans of the Korean War. ... We conclude that the stamp does not transform the character of The Column. Although the stamp altered the appearance of The Column by adding snow and muting the color, these alterations do not impart a different character to the work. To the extent that the stamp has a surreal character, The Column and its soldiers themselves contribute to that character. Indeed, the Penn State Team suggested that the Memorial have a "dream-like presence of ghostly figures." Capturing The Column on a cold morning after a snowstorm rather than on a warm sunny day does not transform its character, meaning, or message. Nature's decision to snow cannot deprive Mr. Gaylord of an otherwise valid right to exclude.


%26lt;/blockquote%26gt;


Gotta love that last touch: "Nature's decision to snow cannot deprive Mr. Gaylord of an otherwise  valid right to exclude." O, the majesty of the copyright law! The court the applies the other three factors, holding that two of them "weigh against" fair use, while the last one, "market impact," favors a fair use finding. So, I guess if you have 3 out of four, the 3 "weigh" more than the fourth!


%26lt;blockquote%26gt;


Weighing the factors, we conclude that the government's use of The Column in the stamp was not a fair use. Even though the stamp did not harm the market for derivative works, allowing the government to commercially exploit a creative and expressive work will not advance the purposes of copyright in this case.


%26lt;/blockquote%26gt;


Who can really believe such unprincipled, vague "factors" have anything to do with justice? Yet you will see pro-IP libertarians trot this out all the time. Why? Because if you apply IP law itself--copyright or patent--wild injustices result. So to blunt the edges and make the law more palatable, exceptions are made--ad hoc, unprincipled exceptions to a draconian, unjust, unprincipled legislative scheme. Libertarians usually support IP because they have accepted the state's propaganda lumping IP in with regular property, and so they tend to assume the various exceptions are also legitimate. Until you call them on it, and point out how they pretend to support IP for principled reasons yet are supporting a utilitarian-grounded exception, whereupon they will usually %26lt;a href="http://blog.mises.org/archives/011674.asp#c669522"%26gt;sheepishly back down%26lt;/a%26gt;; but this leaves them with a dilemma, since the law they favor, absent its rickety patches, is even more manifestly unjust.


[%26lt;a href="http://http://blog.mises.org/archives/011755.asp"%26gt;Mises%26lt;/a%26gt;; %26lt;a href="http://www.stephankinsella.com/2010/03/01/dancing-on-the-head-of-the-fair-use-pin/"%26gt;SK%26lt;/a%26gt;]</summary><author>
 <name>Stephan Kinsella</name>
 <url>http://www.againstmonopoly.org/</url>
 <email>nskinsella@gmail.com*</email>
 </author><dc:subject>Copyright</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.againstmonopoly.org/"><![CDATA[
<a href="http://www.stephankinsella.com/wp-content/uploads/2010/03/korean-memorial-day.png"><img class="size-medium wp-image-4795" title="Korean War Memorial during day" src="http://www.stephankinsella.com/wp-content/uploads/2010/03/korean-memorial-day-300x207.png" alt="Korean War Memorial during day" width="300" height="207" align="right"></a>As noted in Justin Levine's post, <a href="http://www.againstmonopoly.org/index.php?perm=593056000000002633">Dissent of the Day</a>, a recent decision of the Court of Appeals for the Federal Circuit holds "that a U.S. stamp which depicts a view of a public Korean War memorial violates the copyright of the sculptor who designed it." The case involved the sculptures made by Gaylord, a photograph of them made by John Alli (a "derivative work"), and a stamp made using Alli's photograph. Alli and the USPS did not get Gaylord's permission. Gaylord sued for copyright infringement.

<p/>The lower court had made three determinations:

<p/>1. "Mr. Gaylord was the sole author of the soldier sculptures" (the government was not a joint author);

<p/><a href="http://www.stephankinsella.com/wp-content/uploads/2010/03/korean-memorial-snow.png"><img class="size-medium wp-image-4796" title="korean memorial-snow" src="http://www.stephankinsella.com/wp-content/uploads/2010/03/korean-memorial-snow-300x232.png" alt="Korean War Memorial during snow" width="300" height="232" align="left"></a>

<p/>2. "his sculptures were not exempt from copyright protection  under the Architectural Works Copyright Protection Act (AWCPA)", and

<p/>3.  "the stamp made fair use of Mr. Gaylord's work."

<p/>Thus, although points 1 and 2 went Gaylord's way, the USPS still won in the lower court since it had the fair use defense.

<p/>On appeal, the CAFC upheld the lower court's rulings on points 1 and 2, and  reversed on 3: they said the stamp was not a fair use. Now I can't say I am  outraged at an agency of the federal government  being hampered by  federal copyright law. And I am not especially interested in whether the  CAFC and lower court were right regarding the first two points (though  Judge Pauline Newman, in dissent, was none too happy about it). And while I think the CAFC's holding on fair use seems defensible based on the language of the <a href="http://www.copyright.gov/fls/fl102.html">fair use</a> statute, it's  instructive to read  the court's reasoning on the "fair use" claim, to get an idea of how obviously artificial and unlibertarian copyright law is. (I've written on "Fair Use" before: see <a title="Permalink to  "World's Fair Use Day"" href="http://blog.mises.org/archives/011390.asp">World's Fair Use Day</a>; <a title="Permalink to  "IP: The Objectivists Strike Back!"" href="http://blog.mises.org/archives/011327.asp">IP: The Objectivists  Strike Back!</a>.)

<p/>To decide whether an unauthorized use of a copyrighted work is permissible as a "fair use," the court has to consider four "factors":
<ol>
	<li>The purpose and character of the use, including whether such  use is of commercial nature or is for nonprofit educational purposes</li>
	<li>The nature of the copyrighted work</li>
	<li>The amount and substantiality of the portion used in relation  to the copyrighted work as a whole</li>
	<li>The effect of the use upon the potential market for, or value  of, the copyrighted work.</li>
</ol>

<p/><a href="http://www.stephankinsella.com/wp-content/uploads/2010/03/korean-memorial-stamp.png"><img class="size-medium wp-image-4794" title="korean memorial stamp" src="http://www.stephankinsella.com/wp-content/uploads/2010/03/korean-memorial-stamp-300x190.png" alt="Korean War Memorial stamp" width="300" height="190" align="right"></a>Now, it is quite obvious that this is purely artificial law,  motivated by unprincipled, utilitarian considerations, and that these  factors are completely unobjective, vague, and have nothing to do with  justice or rights. Consider how the CAFC "applied" these factors (and  ended up with a result opposite to the lower court). First, the court informs us, "Fair use is a  mixed question of law and fact." and "Because 'the doctrine is an  equitable rule of reason, no generally applicable definition is  possible, and each case raising the question must be decided on its own  facts.'" Ah. Well that sounds like objective law to me. So, the court has to review the 4 "factors," and "Each factor is 'to be explored, and the results weighed together, in light of the purposes of copyright.'" Weighed together? Interpersonal utility value comparison FAIL. The court then tries to apply each of the 4 factors to the stamp to determine whether it was fair use. The court notes that the first factor can turn on whether the derivative work is "transformative": "whether the new work merely ‘supersede[s] the objects' of the original creation or instead adds something new, with a further purpose or different character, altering the first with new expression, meaning, or message; it asks, in other words, whether and to what extent the new work is ‘transformative.'" More objective law with precise boundaries! The lower court held that the stamp was transformative:

<p/><blockquote>

<p/>The court determined that "while both the Stamp and ‘The Column' are intended to honor veterans of the Korean War, the Stamp is transformative, providing a different expressive character than ‘The Column.'" ... It explained that Mr. Alli transformed the three-dimensional sculpture with his photograph by "creating a surrealistic environment with snow and subdued lighting where the viewer is left unsure whether he is viewing a photograph of statues or actual human beings." ... The court determined that the Postal Service further transformed The Column by "making it even grayer, creating a nearly monochromatic image. This adjustment enhanced the surrealistic expression ultimately seen in the Stamp by making it colder." ... The Court of Federal Claims concluded that the stamp was "a transformative work, having a new and different character and expression than Mr. Gaylord's ‘The Column.'"

<p/></blockquote>

<p/>But no, the CAFC disagrees:

<p/><blockquote>

<p/>As a preliminary matter, we note that the inquiry must focus on the purpose and character of the stamp, rather than that of Mr. Alli's photograph. The stamp does not reflect any "further purpose" than The Column. ... As the Court of Federal Claims found, both the stamp and The Column share a common purpose: to honor veterans of the Korean War. ... We conclude that the stamp does not transform the character of The Column. Although the stamp altered the appearance of The Column by adding snow and muting the color, these alterations do not impart a different character to the work. To the extent that the stamp has a surreal character, The Column and its soldiers themselves contribute to that character. Indeed, the Penn State Team suggested that the Memorial have a "dream-like presence of ghostly figures." Capturing The Column on a cold morning after a snowstorm rather than on a warm sunny day does not transform its character, meaning, or message. Nature's decision to snow cannot deprive Mr. Gaylord of an otherwise valid right to exclude.

<p/></blockquote>

<p/>Gotta love that last touch: "Nature's decision to snow cannot deprive Mr. Gaylord of an otherwise  valid right to exclude." O, the majesty of the copyright law! The court the applies the other three factors, holding that two of them "weigh against" fair use, while the last one, "market impact," favors a fair use finding. So, I guess if you have 3 out of four, the 3 "weigh" more than the fourth!

<p/><blockquote>

<p/>Weighing the factors, we conclude that the government's use of The Column in the stamp was not a fair use. Even though the stamp did not harm the market for derivative works, allowing the government to commercially exploit a creative and expressive work will not advance the purposes of copyright in this case.

<p/></blockquote>

<p/>Who can really believe such unprincipled, vague "factors" have anything to do with justice? Yet you will see pro-IP libertarians trot this out all the time. Why? Because if you apply IP law itself--copyright or patent--wild injustices result. So to blunt the edges and make the law more palatable, exceptions are made--ad hoc, unprincipled exceptions to a draconian, unjust, unprincipled legislative scheme. Libertarians usually support IP because they have accepted the state's propaganda lumping IP in with regular property, and so they tend to assume the various exceptions are also legitimate. Until you call them on it, and point out how they pretend to support IP for principled reasons yet are supporting a utilitarian-grounded exception, whereupon they will usually <a href="http://blog.mises.org/archives/011674.asp#c669522">sheepishly back down</a>; but this leaves them with a dilemma, since the law they favor, absent its rickety patches, is even more manifestly unjust.

<p/>[<a href="http://http://blog.mises.org/archives/011755.asp">Mises</a>; <a href="http://www.stephankinsella.com/2010/03/01/dancing-on-the-head-of-the-fair-use-pin/">SK</a>]
]]></content>
</entry>

<entry>
<title>Against Monopoly: Pictures speak louder than words</title>
<link rel="alternate" type="text/html" href="http://www.againstmonopoly.org/index.php?perm=593056000000002646"/>
<modified>2010-03-01T13:30:25-08:00</modified>
<issued>2010-03-01T13:30:25-08:00</issued>
<id>tag:www.againstmonopoly.org,2010:blog5593056000000002646</id>
<created>2010-03-01T13:30:25-08:00</created>
<summary type="text/plain">%26lt;img src="
http://www.washingtonpost.com/wp-srv/opinion/ssi/images/Toles/c_03012010_520.gif"%26gt;</summary><author>
 <name>John Bennett</name>
 <url>http://www.againstmonopoly.org/</url>
 <email>nobody@nowhere.com</email>
 </author><dc:subject>Against Monopoly</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.againstmonopoly.org/"><![CDATA[
<img src="
http://www.washingtonpost.com/wp-srv/opinion/ssi/images/Toles/c_03012010_520.gif">
]]></content>
</entry>

<entry>
<title>IP as a Joke: Why We Shouldn't Take Patent Law Seriously</title>
<link rel="alternate" type="text/html" href="http://www.againstmonopoly.org/index.php?perm=593056000000002645"/>
<modified>2010-03-01T11:02:51-08:00</modified>
<issued>2010-03-01T11:02:51-08:00</issued>
<id>tag:www.againstmonopoly.org,2010:blog5593056000000002645</id>
<created>2010-03-01T11:02:51-08:00</created>
<summary type="text/plain">Because it takes well over 8 years of litigation and thousands of dollars for an Appeals Court to determine that attaching a piece of memorabilia to a trading card is 'obvious' and thus, not patentable.


But check this - one of the judges dissented from that conclusion as a matter of law. No...really. He felt it was possible for a jury to think otherwise.


Read the PDF of the decision for yourself %26lt;a href="http://www.cafc.uscourts.gov/opinions/09-1022.pdf"%26gt;here.%26lt;/a%26gt;


</summary><author>
 <name>Justin Levine</name>
 <url>http://www.againstmonopoly.org/</url>
 <email>Levine2001@aol.com</email>
 </author><dc:subject>IP as a Joke</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.againstmonopoly.org/"><![CDATA[
Because it takes well over 8 years of litigation and thousands of dollars for an Appeals Court to determine that attaching a piece of memorabilia to a trading card is 'obvious' and thus, not patentable.

<p/>But check this - one of the judges dissented from that conclusion as a matter of law. No...really. He felt it was possible for a jury to think otherwise.

<p/>Read the PDF of the decision for yourself <a href="http://www.cafc.uscourts.gov/opinions/09-1022.pdf">here.</a>

<p/>
]]></content>
</entry>

<entry>
<title>Was Napster Right?: Music without copyright</title>
<link rel="alternate" type="text/html" href="http://www.againstmonopoly.org/index.php?perm=593056000000002641"/>
<modified>2010-02-27T09:33:43-08:00</modified>
<issued>2010-02-27T09:33:43-08:00</issued>
<id>tag:www.againstmonopoly.org,2010:blog5593056000000002641</id>
<created>2010-02-27T09:33:43-08:00</created>
<summary type="text/plain">Ok,music with copyright. %26lt;a href="http://www.billboard.com/#/../../news/money-makers-page-1-1004071200.story"%26gt;Billboard%26lt;/a%26gt; released its list of top money making acts. It doesn't give a systematic breakdown of earnings by category - but it did for Metallica (you know Lars Ulrich, the gas station attendant turned drummer who says he'd never have made the switch without copyright forever)


%26lt;blockquote%26gt;Along with touring revenue -- the band pulled in $22.8 million from 55 arena shows reported to Boxscore that drew more than 968,000 fans -- Metallica sold 694,000 albums in 2009. The majority of those sales came from its Rick Rubin-produced 2008 release, "Death Magnetic" (297,000). Album sales revenue totaled $1.6 million. And most of Metallica's track download earnings came from its 1991 hit "Enter Sandman," which sold 450,000.%26lt;/blockquote%26gt;


Hmmm...think it would make a lot of difference to the world if they lost the $1.6 million from the albums? Without copyright they'd only make $22.8 million from touring...You might almost think it would be worth it to them to give the recorded music away for free to promote their concerts...</summary><author>
 <name>David K. Levine</name>
 <url>http://www.againstmonopoly.org/</url>
 <email>david@dklevine.com</email>
 </author><dc:subject>Was Napster Right?</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.againstmonopoly.org/"><![CDATA[
Ok,music with copyright. <a href="http://www.billboard.com/#/../../news/money-makers-page-1-1004071200.story">Billboard</a> released its list of top money making acts. It doesn't give a systematic breakdown of earnings by category - but it did for Metallica (you know Lars Ulrich, the gas station attendant turned drummer who says he'd never have made the switch without copyright forever)

<p/><blockquote>Along with touring revenue -- the band pulled in $22.8 million from 55 arena shows reported to Boxscore that drew more than 968,000 fans -- Metallica sold 694,000 albums in 2009. The majority of those sales came from its Rick Rubin-produced 2008 release, "Death Magnetic" (297,000). Album sales revenue totaled $1.6 million. And most of Metallica's track download earnings came from its 1991 hit "Enter Sandman," which sold 450,000.</blockquote>

<p/>Hmmm...think it would make a lot of difference to the world if they lost the $1.6 million from the albums? Without copyright they'd only make $22.8 million from touring...You might almost think it would be worth it to them to give the recorded music away for free to promote their concerts...
]]></content>
</entry>

<entry>
<title>Copyright: Interview: Nina Paley on Copyright</title>
<link rel="alternate" type="text/html" href="http://www.againstmonopoly.org/index.php?perm=593056000000002640"/>
<modified>2010-02-27T08:48:42-08:00</modified>
<issued>2010-02-27T08:48:42-08:00</issued>
<id>tag:www.againstmonopoly.org,2010:blog5593056000000002640</id>
<created>2010-02-27T08:48:42-08:00</created>
<summary type="text/plain">%26lt;h2 class="entry-title full-title"%26gt;%26lt;a title="Permanent link to TCLP 2010-02-24 Interview: Nina Paley" rel="bookmark" rev="post-2353" href="http://thecommandline.net/2010/02/24/nina_paley/"%26gt;TCLP 2010-02-24 Interview: Nina Paley%26lt;/a%26gt;%26lt;/h2%26gt;
%26lt;div class="entry-content full-content"%26gt;


This is a feature cast, an episode of The Command Line Podcast.


No listener feedback this week.


Due to the length of the interview, there is also no new hacker word of the week this week.


The feature this week is an interview with cartoonist and animator, %26lt;a href="http://ninapaley.com"%26gt;Nina Paley%26lt;/a%26gt;, creator of "%26lt;a href="http://sitasingstheblues.com"%26gt;Sita Sings the Blues%26lt;/a%26gt;". I've spoken and written about Nina's story before, %26lt;a href="http://questioncopyright.org/sita_distribution"%26gt;the troubles%26lt;/a%26gt; clearing her use of Annette Hanshaw's torch songs that led her to work with Karl Fogel at %26lt;a href="http://questioncopyright.org"%26gt;QuestionCopyright.org%26lt;/a%26gt;. In the course of the interview, we also mention the %26lt;a href="http://sitasingstheblues.com/store"%26gt;store for "Sita" merchandise%26lt;/a%26gt; , %26lt;a href="http://questioncopyright.org/creator_endorsed"%26gt;the creator endorsed mark%26lt;/a%26gt;, "%26lt;a href="http://questioncopyright.org/minute_memes"%26gt;Minute Memes%26lt;/a%26gt;", the %26lt;a href="http://toddmichaelsen.com/homesitasoundtrack.cfm"%26gt;"Sita" soundtrack%26lt;/a%26gt; by Todd Michaelsen, %26lt;a href="http://www.youtube.com/watch?v=j61mRq9Q4JE"%26gt;"Sita" on a persistence of vision wheel based display%26lt;/a%26gt;, and %26lt;a href="http://www.cheswick.com/ches/mrthumbnail.html"%26gt;Bill Cheswick's poster made from every frame of "Sita"%26lt;/a%26gt;. Sadly, by the time you hear this, you'll have missed her talk at AU but I discuss it a bit in the intro to this episode.
%26lt;div class="podPress_content"%26gt;
%26lt;div id="podPressPlayerSpace_1"%26gt;%26lt;/div%26gt;
%26lt;a href="http://cmdln.evenflow.nl/mp3/cmdln.net_2010-02-24.mp3" target="new"%26gt;%26lt;img class="podPress_imgicon" src="http://thecommandline.net/wp-content/plugins/podpress/images/audio_mp3_button.png" border="0" alt="icon for podpress" align="top" /%26gt;%26lt;/a%26gt; Interview: Nina Paley [48:18m]: %26lt;a onclick="javascript: podPressShowHidePlayer('1','http://cmdln.evenflow.nl/mp3/cmdln.net_2010-02-24.mp3',300,30,'true'); return false;" href="#"%26gt;%26lt;span id="podPressPlayerSpace_1_PlayLink"%26gt;Play Now%26lt;/span%26gt;%26lt;/a%26gt; | %26lt;a onclick="javascript: podPressPopupPlayer('1', 'http://cmdln.evenflow.nl/mp3/cmdln.net_2010-02-24.mp3',300,30); return false;" href="#"%26gt;Play in Popup%26lt;/a%26gt; | %26lt;a href="http://cmdln.evenflow.nl/mp3/cmdln.net_2010-02-24.mp3" target="new"%26gt;Download%26lt;/a%26gt;


%26lt;/div%26gt;
%26lt;script type="text/javascript"%26gt;// %26lt;![CDATA[
 podPressShowHidePlayer('1', 'http://cmdln.evenflow.nl/mp3/cmdln.net_2010-02-24.mp3',300,30, 'false', 'https://thecommandline.net/wp-content/plugins/podpress//images/vpreview_center.png');
// ]]%26gt;%26lt;/script%26gt;


Grab the detailed show notes with time offsets and additional links either as %26lt;a href="http://libsyn.com/media/cmdln/cmdln.net_2010-02-24.pdf"%26gt;PDF%26lt;/a%26gt; or %26lt;a href="http://libsyn.com/media/cmdln/cmdln.net_2010-02-24.opml"%26gt;OPML%26lt;/a%26gt;. You can also grab the %26lt;a href="http://www.archive.org/details/Tclp2010-02-24InterviewNinaPaley"%26gt;flac encoded audio%26lt;/a%26gt; from the Internet Archive.


%26lt;a rel="license" href="http://creativecommons.org/licenses/by-sa/3.0/us/"%26gt;%26lt;img style="border-width: 0px;" src="http://thecommandline.net/wp-content/uploads/cc-by-sa.png" alt="Creative Commons License" /%26gt;%26lt;/a%26gt;


This work is licensed under a %26lt;a rel="license" href="http://creativecommons.org/licenses/by-sa/3.0/us/"%26gt;Creative Commons Attribution-Share Alike 3.0 United States License%26lt;/a%26gt;.


%26lt;/div%26gt;
%26lt;!-- .entry-content--%26gt;


[%26lt;a href="http://www.stephankinsella.com/2010/02/27/interview-nina-paley-on-copyright/"%26gt;SK%26lt;/a%26gt;]</summary><author>
 <name>Stephan Kinsella</name>
 <url>http://www.againstmonopoly.org/</url>
 <email>nskinsella@gmail.com*</email>
 </author><dc:subject>Copyright</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.againstmonopoly.org/"><![CDATA[
<h2 class="entry-title full-title"><a title="Permanent link to TCLP 2010-02-24 Interview: Nina Paley" rel="bookmark" rev="post-2353" href="http://thecommandline.net/2010/02/24/nina_paley/">TCLP 2010-02-24 Interview: Nina Paley</a></h2>
<div class="entry-content full-content">

<p/>This is a feature cast, an episode of The Command Line Podcast.

<p/>No listener feedback this week.

<p/>Due to the length of the interview, there is also no new hacker word of the week this week.

<p/>The feature this week is an interview with cartoonist and animator, <a href="http://ninapaley.com">Nina Paley</a>, creator of "<a href="http://sitasingstheblues.com">Sita Sings the Blues</a>". I've spoken and written about Nina's story before, <a href="http://questioncopyright.org/sita_distribution">the troubles</a> clearing her use of Annette Hanshaw's torch songs that led her to work with Karl Fogel at <a href="http://questioncopyright.org">QuestionCopyright.org</a>. In the course of the interview, we also mention the <a href="http://sitasingstheblues.com/store">store for "Sita" merchandise</a> , <a href="http://questioncopyright.org/creator_endorsed">the creator endorsed mark</a>, "<a href="http://questioncopyright.org/minute_memes">Minute Memes</a>", the <a href="http://toddmichaelsen.com/homesitasoundtrack.cfm">"Sita" soundtrack</a> by Todd Michaelsen, <a href="http://www.youtube.com/watch?v=j61mRq9Q4JE">"Sita" on a persistence of vision wheel based display</a>, and <a href="http://www.cheswick.com/ches/mrthumbnail.html">Bill Cheswick's poster made from every frame of "Sita"</a>. Sadly, by the time you hear this, you'll have missed her talk at AU but I discuss it a bit in the intro to this episode.
<div class="podPress_content">
<div id="podPressPlayerSpace_1"></div>
<a href="http://cmdln.evenflow.nl/mp3/cmdln.net_2010-02-24.mp3" target="new"><img class="podPress_imgicon" src="http://thecommandline.net/wp-content/plugins/podpress/images/audio_mp3_button.png" border="0" alt="icon for podpress" align="top" /></a> Interview: Nina Paley [48:18m]: <a onclick="javascript: podPressShowHidePlayer('1','http://cmdln.evenflow.nl/mp3/cmdln.net_2010-02-24.mp3',300,30,'true'); return false;" href="#"><span id="podPressPlayerSpace_1_PlayLink">Play Now</span></a> | <a onclick="javascript: podPressPopupPlayer('1', 'http://cmdln.evenflow.nl/mp3/cmdln.net_2010-02-24.mp3',300,30); return false;" href="#">Play in Popup</a> | <a href="http://cmdln.evenflow.nl/mp3/cmdln.net_2010-02-24.mp3" target="new">Download</a>

<p/></div>
<script type="text/javascript">// <![CDATA[
 podPressShowHidePlayer('1', 'http://cmdln.evenflow.nl/mp3/cmdln.net_2010-02-24.mp3',300,30, 'false', 'https://thecommandline.net/wp-content/plugins/podpress//images/vpreview_center.png');
// ]]></script>

<p/>Grab the detailed show notes with time offsets and additional links either as <a href="http://libsyn.com/media/cmdln/cmdln.net_2010-02-24.pdf">PDF</a> or <a href="http://libsyn.com/media/cmdln/cmdln.net_2010-02-24.opml">OPML</a>. You can also grab the <a href="http://www.archive.org/details/Tclp2010-02-24InterviewNinaPaley">flac encoded audio</a> from the Internet Archive.

<p/><a rel="license" href="http://creativecommons.org/licenses/by-sa/3.0/us/"><img style="border-width: 0px;" src="http://thecommandline.net/wp-content/uploads/cc-by-sa.png" alt="Creative Commons License" /></a>

<p/>This work is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-sa/3.0/us/">Creative Commons Attribution-Share Alike 3.0 United States License</a>.

<p/></div>
<!-- .entry-content-- and gt;

<p/>[<a href="http://www.stephankinsella.com/2010/02/27/interview-nina-paley-on-copyright/">SK</a>]
]]></content>
</entry>

<entry>
<title>IP Law: Dissent of the day</title>
<link rel="alternate" type="text/html" href="http://www.againstmonopoly.org/index.php?perm=593056000000002633"/>
<modified>2010-02-26T15:12:35-08:00</modified>
<issued>2010-02-26T15:12:35-08:00</issued>
<id>tag:www.againstmonopoly.org,2010:blog5593056000000002633</id>
<created>2010-02-26T15:12:35-08:00</created>
<summary type="text/plain">The U.S. Federal Circuit, which usually goes out of its way to unjustly expand the contours of patent law, has issued a typically outrageous decision holding that a U.S. stamp which depicts a view of a public Korean War memorial violates the copyright of the sculptor who designed it.


The decision brought a strong dissent from Judge Pauline Newman who wrote:


%26lt;blockquote%26gt;The Korean War Veterans Memorial is a work of public art and a national monument. It was authorized by Congress, installed on the National Mall, and paid for by appropriated funds. My colleagues on this panel now hold that the persons who produced this public monument for the United States, under a contract which requires that copyright is in the United States, can nonetheless require the United States to pay damages for copyright infringement based on use of a photograph of the Memorial in snow on a postage stamp. This holding is contrary to the contract provisions, contrary to statute for works done in the service of the United States, contrary to copyright law, and contrary to national policy governing access to public monuments. I respectfully dissent from the court's holding that the United States is liable for infringement of an improperly obtained and unlawfully enforced copyright.%26lt;/blockquote%26gt;


Read the full PDF decision (and dissent) %26lt;a href="http://www.cafc.uscourts.gov/opinions/09-5044.pdf"%26gt;here%26lt;/a%26gt;.
</summary><author>
 <name>Justin Levine</name>
 <url>http://www.againstmonopoly.org/</url>
 <email>Levine2001@aol.com</email>
 </author><dc:subject>IP Law</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.againstmonopoly.org/"><![CDATA[
The U.S. Federal Circuit, which usually goes out of its way to unjustly expand the contours of patent law, has issued a typically outrageous decision holding that a U.S. stamp which depicts a view of a public Korean War memorial violates the copyright of the sculptor who designed it.

<p/>The decision brought a strong dissent from Judge Pauline Newman who wrote:

<p/><blockquote>The Korean War Veterans Memorial is a work of public art and a national monument. It was authorized by Congress, installed on the National Mall, and paid for by appropriated funds. My colleagues on this panel now hold that the persons who produced this public monument for the United States, under a contract which requires that copyright is in the United States, can nonetheless require the United States to pay damages for copyright infringement based on use of a photograph of the Memorial in snow on a postage stamp. This holding is contrary to the contract provisions, contrary to statute for works done in the service of the United States, contrary to copyright law, and contrary to national policy governing access to public monuments. I respectfully dissent from the court's holding that the United States is liable for infringement of an improperly obtained and unlawfully enforced copyright.</blockquote>

<p/>Read the full PDF decision (and dissent) <a href="http://www.cafc.uscourts.gov/opinions/09-5044.pdf">here</a>.

]]></content>
</entry>

</feed>